Soft Abundance
Spring arrived like a disruption. One week, twenty degrees and the careful guarding of seedlings against a winter that refused to loosen its grip; the next, ninety, and I was hauling hoses, rigging shade cloth, already behind. The garden did not ease into the season—it lunged. And I followed.
Cleanup began anyway. It always does. Dead leaves raked aside, branches gathered, winter weeds pulled before they could argue for their place. Around me, the signs insisted on forward motion: yellow narcissus against the white bloom of magnolia, hyacinths holding their perfect bells, roses quietly leafing out. The garden was not waiting for permission. It was happening.
April feels like a catalyst. Not gentle, not gradual, but a force that breaks things down and sets others in motion. Butterflies reappear as if summoned, moving branch to branch with a kind of restless certainty. I recognize the feeling. After months of stillness, there is a sudden, almost primal energy—an urgency to act, to shape, to make something of what has been imagined all winter.
So I move things. Buxus, shrubs, perennials—dug, shifted, reconsidered. Spring allows for this. It is a forgiving window, where roots still take, where mistakes are softened by time and growth. The garden and I seem to understand each other here, testing ideas, rearranging space, trusting that most things will recover.
But the pace builds. Each day, something new arrives, blooms, and disappears just as quickly. The energy that first felt invigorating begins to press. There is always one more thing to cut back, one more adjustment to make, one more vision to chase. Spring, if left unchecked, does not simply renew—it overwhelms.
So the question becomes unavoidable: when is it enough?
The answer is not mine to set. It comes in smaller signals.Heat lingers too long in the afternoon. Soil that dries faster than I can keep up with. Plants that seem to resist interference, asking—quietly, then not so quietly—to be left alone. Let me do my job.
And so the work shifts. Less editing, more observing. Less rearranging, more tending. The garden moves from possibility to presence, from what could be to what is. I begin to follow instead of being direct.
Spring does not last because it cannot. Its excess gives way to something steadier, something rooted. The window closes, not abruptly, but with enough clarity to be felt. What remains is not the rush of change, but the balance that follows it—the quiet agreement between growth and restraint.

